The result is a digital dialogue of two authors carried out during the period of lockdown between London and Rajasthan, in which Vitturi’s graphic impressions, inspired by the shapes and textures collected during the time spent in the village, cohabit and coexist with the world sketched by the weaver.
“The final passage of the process was completed by adding materials from Vitturi’s Venetian studio: fragments of glass made in the Murano furnaces, scraps of Peruvian fabric, Nigerian nets.In this promiscuity of material and narratives, the works took their final form."
“ While travelling through rural communities and meeting local weavers in Rajasthan, Vitturi photographed the sculptural assemblages that the village life unconsciously creates and abstracted them into a series of graphic fragments. These monochrome silhouettes are then merged creating a composition of multilayered colour fields."
“The final passage of the process was completed by adding materials from Vitturi’s Venetian studio: fragments of glass made in the Murano furnaces, scraps of Peruvian fabric, Nigerian nets.In this promiscuity of material and narratives, the works took their final form."
“ While travelling through rural communities and meeting local weavers in Rajasthan, Vitturi photographed the sculptural assemblages that the village life unconsciously creates and abstracted them into a series of graphic fragments. These monochrome silhouettes are then merged creating a composition of multilayered colour fields."
Collection:
Delvis Unlimited
edition:
2020
dimensions:
L182 x H121 cm
L71,65 x H47,63 inch
MATERIALS:
Wool, bamboo silk, Cotisso, Murano beads,
Peruvian balls, Murano glass, Nigerian mesh,
PVC adhesive poster
